Marsyas Trio takes its name from Greek mythology: inspired by the bold, passionate spirit of Marsyas, the celebrated pipe-playing satyr who dared challenge Apollo in a musical contest. In victory, Marsyas lost his life to the envious wrath of the god, saving his last breaths for the instrument he immortalized.
The London-based Marsyas Trio, formed in 2009 by graduates of the Royal Academy of Music, is dedicated to music for flute, cello & piano from the Classical era to the present day. Aiming to inspire a generation of new works for this genre, they are uncovering lesser known repertoire and are proactive in commissioning new music. Flautist Helen Vidovich and cellist Valerie Welbanks are pleased to welcome Australian pianist Zubin Kanga to the ensemble. They are looking forward to exciting and varied performances scheduled throughout 2017-18.
With pianist Fei Ren (founding member, 2009-2016), the Marsyas Trio has performed throughout the UK, Europe and Asia, their most recent performances at the Holywell Music Room, Llandeilo and Ludlow Festivals, and St James’s Piccadilly (Orpheus Foundation). In 2015 the Marsyas Trio’s debut CD, A Triple Portrait, was released by Meridian Records, featuring a newly commissioned work and other chamber music by Russian émigré composer Elena Firsova. The disc, marking Firsova’s 25-year musical contribution to the UK, received reviews internationally including Cambridge Music Journal Tempo, The Strad, and Australia’s Limelight magazine.
The Marsyas Trio has appeared live on Bulgarian National Television and Radio, has been broadcast on various European radio stations, and in June 2016 performed live on BBC Radio 3. Their 2014 commission from the British composer Laura Bowler was premiered as part of a cross-arts project at the Grimeborn Festival (Arcola Theatre, London), with shadow puppetry from Smoking Apples. Their next commission is from Hilary Tann, and will be premiered at the 2017 Vale of Glamorgan Festival, alongside the premiere of a new work by Steph Power.
The trio regularly works with vocalists, including Jessica Summers, Amy Payne, and Hannah Pedley. This year, they will be performing recently rediscovered 'Welsh Songs' by Haydn and Beethoven. Their programmes continue to feature little-known repertoire such as flute-cello-piano trios by Amy Beach, Mozart, Clementi, and Mendelssohn's flute transcription of his famous Trio in D minor.
Marsyas Trio is generously supported by:
Helen Vidovich completed undergraduate music studies in Melbourne, subsequently moving to Sydney to study with Alison Mitchell and Geoffrey Collins. In 2006 she completed a Master of Music Performance at the Sydney Conservatorium, receiving an Australian Bicentennial Scholarship to assist further postgraduate studies at the Royal Academy of Music in London from 2006-07. Helen has been a pupil of Michael Cox and Patricia Morris on piccolo, and more recently has undertaken study with members of the London Symphony and Royal Philharmonic Orchestras. She has also taken part in the LSO Training Scheme, performed under the baton of Sir Colin Davis and completed summer courses and masterclasses in Italy, France, England and Sweden. In Australia she has appeared on several occasions as a concerto soloist with the Sydney Chamber Orchestra. As an orchestral player, Helen has successfully auditioned as a freelance musician with the Welsh National Opera Orchestra and the Bournemouth Symphony Orchestra. She is currently undertaking additional studies with Sharon Williams (London Symphony Orchestra).
Pianist Zubin Kanga has performed at many international festivals including the BBC Proms, Cheltenham Festival, London Contemporary Music Festival, Huddersfield Contemporary Music Festival (UK), ISCM World New Music Days, Metropolis New Music Festival, Melbourne Festival, Four Winds Festival, BIFEM (Australia), IRCAM Manifeste Festival, Mars aux Musées Festival (France) and Borealis Festival (Norway) as well as appearing as soloist with the London Sinfonietta and the Melbourne Symphony Orchestra. Zubin has collaborated with many of the world’s leading composers including Thomas Adès, Michael Finnissy, George Benjamin, Steve Reich, Beat Furrer, Liza Lim, Michel van der Aa and Stefan Prins and premiered more than 70 new works. He is a member of Ensemble Offspring, one of Australia’s leading contemporary music ensembles, and has also performed with the Bang on a Can All-Stars, Ensemble Plus-Minus, Endymion Ensemble, Halcyon, Synergy Percussion, and the Kreutzer Quartet, as well as performing piano duos with Rolf Hind and Thomas Adès. Zubin has won many prizes including the 2012 Art Music Award for ‘Performance of the Year (NSW)’, the Michael Kieran Harvey Scholarship, the ABC Limelight Award for Best Newcomer and the Greta Parkinson Prize from the Royal Academy of Music. His recent recordings include Not Music Yet for Hospital Recordings, Orfordness for Metier (UK) and Piano Inside Out for Move Records, which was nominated for Best Classical Album at the Australian Independent Music Awards. A Masters and PhD graduate of the Royal Academy of Music, London, Zubin recently finished post as post-doctoral researcher at the University of Nice and IRCAM, Paris and is currently a Research Fellow at the Royal Academy of Music. He was the convenor of the Inventing Gestures symposium in the 2015 Manifeste Festival at IRCAM and was the guest editor for a special issue on new interactive technologies in music for Contemporary Music Review.
Canadian-born Val Welbanks leads a busy chamber music career in London as the cellist of both the Marsyas Trio and the Ligeti Quartet, who are currently resident ensemble at the universities of Cambridge and of Sheffield. She is regularly invited as guest cellist of various chamber groups in the UK and in Canada, and has recorded various discs with the Longbow and G-Plus ensembles for Métier, Naxos, and Real World Records. Her most recent appearance as a soloist has been with the Torbay Symphony Orchestra (Dvořák and Lutoslawski Cello Concertos).
Val has recently completed her PhD, having submitted a thesis codifying modern techniques for the cello (University of London) under the supervision of composer Roger Redgate, and previously the late cellist Alexander Ivashkin. During this time, she undertook studies with Natalia Pavlutskaya. In 2008, she obtained a Masters in Music Performance at the Royal Academy of Music in London, graduating with distinction from Philip Sheppard’s class. Her passion for cross-disciplinary arts sees her often performing in plays, operas, dance productions, and sound installations, the most recent of which was at the Dulwich Picture Gallery.